The cuts are painted like the inside of the sphere, with a shinny color which contrasts beautifully with the mat effect of the plaster. The lamp has a sliding sleeve that plays with gravity to maintain it’s equilibrium. No screws are used for the lamp, in order to keep the design pure and sober. It can be turned upside down to illuminate a wall or a piece of architecture to become a subtle mood light.

Original work by Malet, Montpellier, South of France.

L’article 7 ½ à part. est apparu en premier sur La 2ᵉ porte à gauche.